If I Was a Multi-millionaire

November 9th, 2014

PAM Russo

….I would have an incredible art collection. Mr C and I had an art date at the Portland Art Museum this week-end. We saw a portion of the work collected by Arlene and the late Harold Schnitzer. In Passionate Pursuit includes selections from the Schnitzers’ magnificent collection of Han dynasty Chinese art, 19th and 20th century silver, Native American ceramics and beaded bags, international glass works, and paintings and sculptures by Northwest and West Coast post-war masters. It was magnificent. I was feeling a little under the weather and really want to go back.

In their collection, is the work of two of my favorite Portland modern artists – Michele Russo and Carl Morris. The above photo is a work by Russo. Here is another piece of his:

anotherrusso

Here are two works my Carl Morris. My closeups were a little fuzzy.

carolmorrispaintings

I am just going to show you some of my other favorite pieces from the collection. Bronze and wool blankets by Marie Watt.

PAMblankets

Painting by Louis Bunce – Beach, Low Tide #2

PAM Bunce

Mr C like this piece!! Bowee Wowee. The poop was very realistic!

bowiewowie

Forest Hermit – by Roy DeForest   So much to see here and so much fun.

ForestHermit

A fun ceramic piece by Viola Frey.

Ceramicpiece

 

This piece was gorgeous and so beautifully rendered that from a distance it looked like a photo. Villa Gamberaia-Laghetto by Tom Fawkes.

PAMformalgardems

Detail:

gardendetail

Some gorgeous fused glass plates.  Klaus Moje.

 

fusedglass

Somehow, I neglected to get attribution for the next two paintings.

PAMpainting

I just loved this one of horses in a landscape. Just so serene and simple and yet drawing us in with the shapes and colors.

Horsepainting

Here is a mixed media piece with oil, fabric and leaves on canvas by Michelle Ross.

pammixedmedia

Leaf detail:

mixedmedia detail

This piece was very intriguing. Will or Won’t by Squeak Carnwath. She embellishes her paintings with imagery that conjures up stories in the viewers mind – at least it did for me. willitorwontit

Detail:

willitorwontitdetail

The title is painted on the side of the canvas:

willorcanvasframe

wontsidedetail

I love the title of this one – Rumpus Jump by Lucinda Parker. (I love that so much of their collection is work by women.)

rumpusjump

I have seen full-size versions of Deborah Butterfield’s horses, but these were much smaller and really lovely.

butterfieldhorse1

butterfieldhorse2

This piece was interesting to me for how it was executed. It is titled The Last Words by Dinh Q. Le. It is a woven Chromogenic print and linen tape.

wovenphoto

Here is a detail:

wovenphotodetail

A wall sculpture titled Green Piece by Mel Katz

greenpiece

A smallish abstract by C S Price who was born in 1874. I liked the shapes and colors in this.

Priceabstraction

And last, a wonderful little carving by John Frame, titled Short Shrift. We saw an installation of his marvelous carvings and assemblages a couple of years ago.

framesculpture

So, there you go. Hope you enjoyed seeing some art that I love. There was a lot more, but these were my personal favorites. I will try to post this next week, but I have a lot of appointments and meetings. Such is my life!

Fabric Printing at Home

November 6th, 2014

juliesbook

Julie Booth, one of the members of The Printed Fabric Bee has written a wonderful book about printing on fabric at home. She uses every thing but the kitchen sink – on second thought, I think she probably uses the kitchen sink!! As a surface designer, I always enjoy looking at books with fresh ideas. I really enjoyed going through Julie’s book. It is packed with good information and beautiful photos.

She starts the book with very excellent information about setting up a home printing area and gathering the needed supplies – brushes, paints, and other tools. Scattered through the book are highlighted areas with extra information, tips and photos such as this one on how to make a portable padded print board.

juliepprintpad

Julie provides a plethora of ideas for using found items and stuff you will find in your kitchen cabinets for resists and printing – such as flour, sugar, veggies, foil. You can also find ways to use things you might normally throw in the trash or recycle bin to print gorgeous fabric.

juliefabric3

I especially like this trio of fabrics printed with blocks embellished with rubber bands, twist ties and string or twine. Click on any photo to see it larger,

juliefabric1

This piece has a nice textured background that has been over printed using veggies.

juliefabric2

You can pre-order the book from Amazon HERE.  Photos are used with permission from Quarry Books.

Science Themed Printed Fabric Bee

November 2nd, 2014

sciencePFBmosaic

October’s theme, chosen by Jackie Lams, was science. I was a bit baffled about what to do. All I could think of was the atomic symbol. So, I did a search on science clip art and came up with DNA strands.

DNA Strands

I drew them with india ink pens and made thermofax screens, but the screens burned too much and the screens started disintegrating. So, back home to regroup. This time I took the drawn screens and made photocopies on my old Canon copier and got much better screens.

DNATermofax

I played around with different colors and background fabric and ended up using chartreuse for the background. Here is the 12 x12 piece for Jackie.

DNA12inch

And here is the 6 inch piece for the give away.

DNA6inch

After doing the dna strand printing, I thought the piece needed something more so I used one of my little stencils and added the red squares.

sciencedetail

For a chance to win this fabric pack, go to Jackie’s blog, our FB page and the Printed Fabric Bee Blog and leave a comment.

 

Wordless Wednesday

October 29th, 2014

WW 10-29-14

Around the World Blog Post

October 27th, 2014

Seems every one is doing it or refusing to do it.  I was invited by the very talented and uber fun Pixel Ladies, Deb Cashatt and Kris Sazaki. You can follow their blog here: www.pixeladies.com/blog/. I first met them in person at the SAQA/SDA conference in San Francisco and enjoyed sharing a van with them when we did the studio tours. They are very active in SAQA – Kris is the president of the board and Deb is an active volunteer for SAQA. I am looking forward to seeing them in Portland for the SAQA Fiberlandia conference next year. I recommend their blog to you because it often has a great tip or tutorial for using Photoshop in your art.

To complete my task, I need to answer some questions for you and then assign the task to someone else.

1. What am I working on?

I should be honest and say that I am mainly working on getting my level of creativity back to where it was before we moved to our condo and my studio got seriously downsized. I went from a huge well-lighted daylight basement space to a room that is not quite big enough to be a bedroom for one person. I miss my huge design wall and my large tables on wheels where I did my surface design work. And most of all room to dance while I work!!

I am happy to be part of The Printed Fabric Bee which keeps me in the studio doing some fabric printing every month. This month we are challenged to do a 12 X 12 piece with a science theme. I chose DNA strands. This is my practice fabric where I test colors and prints.

 

 

dnapractice

I have also been working on rehabilitating some quilts that were rushed to finish and needed some help. I am quite happy with the change in this one which I call Taking Leaf of My Seasons. Here is the before. I scanned actual leaves and printed them on silk and just kind of threw them at my beautiful hand painted silk organza background. The realistic leaves did  not work well with the background and the placement was not artistic. So I patiently removed them.

takingleafpreview

I painted more silk organza which I fused together and then cut leaves for each season. I wanted a more artistic placement and I think I have achieved that. This is not a very good photo – which is another thing I lost when we moved – a place to photograph my quilts.

leafquiltrehab1

The problem is with the fall leaves that are too close to the color of the background. I am going to add some yellow and chartreuse paint to them.

leafpaint

I am also working on a design for a large quilt for a commission for a church here in Oregon. Not sure if I will get the job as they are considering two of us.
2. How does my work differ from others of its genre?

I love to experiment with new ways of adding texture, color and design to my work. I don’t use patterns. I don’t do piecing. I am a fuser and I really like to use fabric like paint in composing an art quilt. I may have a quick sketch, but in general, I work more spontaneously, cutting and placing fabric and finally fusing into place.
3. Why do I write/create what I do?

Well, what would I be doing if I didn’t do what I do? That is the question. I am not one to sit around and read and watch TV all day. I must constantly be knitting, sewing, cooking, quilting, painting. This passion for creating keeps me healthy, mentally and physically.
4. How does my writing/creating process work?

I think I answered that up there in question 2. I just plunge in and start playing with paint, dye, fabric, thread. I often play with an idea in my head for days until I can start working on it.

I have tagged my good friend, Judy Carpenter, who lives in Georgia. We have met in person over the years at conferences and workshops. She does beautiful dye work on fabric and creates the most gorgeous scarves. She also knits obsessively, making beautiful creations. Here is her blog: Judy in the Dyes. Look for her post next Monday.